Hijo de johnny greenwood10/28/2022 ![]() The "stamping" figure in the finale of the Ninth Symphony ( p. The opening of the Sonata in B-flat Major, with a trill rumbling in the bass at 0:20 ( pp. Mark Padmore, tenor, and Paul Lewis, piano Harmonia Mundi CD.Ī film adaptation of Winterreise, with the tenor Ian Bostridge (first of twenty-four parts):ĭietrich Fischer-Dieskau sings "Der Doppelgänger," perhaps the darkest of all Schubert songs ( p. HIJO DE JOHNNY GREENWOOD FULLThe girl she spoke of loving me, / Her mother, of a wedding day / But now the world is full of gloom, / And snow has hidden the way." The month of May did favor me / With flowers strewn all about. 136), whose first stanza could be translated as follows: "I came here as a stranger, / A stranger I go out. The Busch Quartet, in a 1938 EMI recording remastered by Andrew Rose and released by Pristine Audio. In this recording, by the great Busch Quartet, you hear the chromatic descent in the cello starting at 0:30 (where the musical example begins), with the quiet "shock" of an F-major chord at 0:35 (third bar): The lament figure, as described in Chapter 2, reappears at the beginning of Schubert's extraordinary String Quartet in G Major ( p. 133):īrigitte Fassbaender, soprano, and Graham Johnson, piano Hyperion CDJ33011. The Johann Mayrhofer setting "Auflösung," with its final rasp of "Go under, world" ( p. Stephen Varcoe, baritone, and Graham Johnson, piano Hyperion CDJ33002. The darkening emotional arc of "Auf der Donau," from idyll to disaster ( p. Yaara Tal and Andreas Groethuysen, pianos Sony Classical 68243. ![]() Strange harmonic rumblings in the Fantasie in G Minor, one of Schubert's earliest extant works ( p. This handsome lad is said to be the teen-aged Schubert: ![]() ![]() 128):Īdrian Thompson, tenor, and Graham Johnson, piano Hyperion CDJ33012. Günther Wand conducting the Berlin Philharmonic RCA 659425.Ī setting of Goethe's "Nachtgesang," from the same period as "Gretchen" ( p. Marie McLaughlin, soprano, and Graham Johnson, piano Hyperion CDJ33013.Ĭompare the darkly surging climax of the first movement of the "Unfinished" Symphony, which makes one think of the nexus of sex and death in Schubert's own life: The spinning-wheel of the doomed girl is represented hauntingly in the piano at the outset ("My peace is gone, my heart is heavy"), while a wavelike motif represents her morbid passion at the climax ("I should die from his kisses"): Schubert made his breakthrough the previous year, setting "Gretchen am Spinnrade," from Goethe's Faust ( p. Sarah Walker, mezzo-soprano, and Graham Johnson, piano Hyperion CDJ33008. The genius of the young Schubert blazes forth in "Erlkönig," or "The Erl King," written when he was just eighteen ( p. ![]()
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